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| Clarinet Concerto: Metamorphosis for Piano: When the Twain Meet: “effective use of timbre as a structural element in music ... made much show of vivid rhythmic patterns in the brass and percussion" (Philadelphia Inquirer) Cello Concerto. "Kaddish": "the overall effect brought one into the realm of musical genius" (Trenton /Union Leader) The Nothing Ballet: "A tour de force ... Zubin Mehta, the Israel Philharmonic, the Batsheva Dance Company all playing Kaufman ... wonderful" (Jerusalem Post) A Bud for Bloom: Mobile String Quartet: "inspired by Alexander Calder's mobiles, thematic ideas twirl around, sometimes connecting, sometimes flying off in independent directions. Kaufman holds the intricate material together in arresting fashion." (Ft. Lauderdale Sun‑Sentinel) Catalan Concertante: “a savory, atmospheric, fascinating quartet" (Miami Herald) Aaronson Clarinet Quintet: Fredrick Kaufman's compositions are available through Theodore Presser, Warner Brothers, The Fleisher Collection of the Philadelphia Public Library and United Artists. He has recorded for MMC, Centurion, Warner Bros., Klavier, United Artists, Orien & St. Cyprien record companies. Mobiles: “Amazing” (Mark Hetzler, trombone, The Empire Brass) Seascape: “inspired by the natural elements of the ocean, the work for string ensemble, harp and percussion is an intriguing essay in sound painting, with gentle aphoristic string fragments set against piquant xylophone and percussion writing.” (Fort Lauderdale Sun Sentinel) Kaminarimon: <-CLICK TO SEE VIDEO (requires Quicktime) “…amazingly innovative imagination, has bridged a gap between polar extremes of culture. Stunning.” (The Miami Herald) “a theatrical climax…this electric work explores contrasting counterpoints both aurally and visually as the drummers’ elemental pounding collides with and echoes the dancer’s stamping-out foot rhythms.” (Fort Lauderdale Sun Sentinel) Yin & Yang: A Dialogue Between Two Grand Pianos: "The Chinese influence is purely philosophical, and the composition impresses by its sheer variety, rhythmic flexibility and intelligent use of silence. Coming at the end of the long program, its brevity was a very positive attribute." Coral Gables Gazette ...rousing reading of a new work by Frederick Kaufman... Entertainment News & Views On first impression, it seems an attractive score: endearing in its use of last century's once mandatory serial techniques, dramatic and very much worth hearing again. The Miami Herald |
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All contents copyright (c) Fredrick Kaufman unless specified |